The Quran says: Such as remember Allah, standing, sitting and reclining, and consider the creation of the heavens and the earth, (and says): Our Lord! Though createst not this in vain (3:191) (Petruccioli, 2002). These structures carry body and soul. The body were designed using sacred geometry, and the soul were created with the help of light, ventilation, sound effects, landscape, color, texture and symbolism used in both the interior and exterior. The first being created by God was light.
(Petruccioli, 2002) Islamic architecture makes full use of light and shade, and the heat and coolness of the wind and its aerodynamics, of water and its cooling effect, of the earth and its insulating features as well as properties of the elements. The Muslims firm believe in paradise is based on the teaching of the Quran, which says, And those who believe and do good works such are rightful owners of the Garden. They will abide therein (2:82) (Petruccioli 2002).
The detailed description of the garden of paradise is given in Sura the Beneficent (55:46-78). Therefore, landscape features become an integral part of site planning and architecture. The buildings are set in the landscape deliberately so that one can find himself in an idealized paradise-like environment. The buildings not only humanize the landscape but stand there in all simplicity of form and witness the divine (Attilio Petruccioli, 2002).
Truly, Islamic art is an expression of beauty, a demonstration of divinity and a treasure preserved through time; Allahs gift not just to His beloved devotees but also to the world. Reference: Amir Abbas Zamani, S. S. (2001). What is Islam? : Alhoda UK. Attilio Petruccioli, K. P. (2002). Understanding Islamic Architecture: Routledge. Glasse, C. (2001). The New Encyclopedia of Islam: Rowman Altamira. Grabar, O. (2006). Constructing the Study of Islamic Art: Ashgate Publishing, Ltd.
Janin, H. (2005). The Pursuit of Learning In The Islamic World, 610-2003: McFarland and Company. Oweis, F. (2002). The Elements of Unity in Islamic Art as Examined Through the Work of Jamal Badran: Universal-Publishers. com. Penney, S. (1995). Islam: Harcourt Heinemann. Ulrik Volgsten, S. B. (2006). Music And Manipulation: On the Social Uses And Social Control of Music: Berghahn Books. Waines, D. (2003). An Introduction to Islam (second ed. ): Cambridge University Press.