Unmasking the Meaning Essay

Published: 2020-04-22 08:25:15
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Category: Edgar Allan Poe

Type of paper: Essay

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In, The Masque of the Red Death by Edgar Allan Poe, Prince Prospero believes he has the ability to escape the inevitable plague through the use of his social and economic power. After encountering a masked figure of the Red Death, Prince Prospero falls into rage of the mysterious man who interrupts his masquerade. Because of his reckless and foolish acts, Prince Prospero and the guests of his masquerade fall into the hands of death. Poe creates a passage describing Prince Prosperos palace, adding several descriptions of its color and order orientation. In this passage, Poe uses adjective clauses and simple compound sentences to develop a symbolism towards the objects in his allegory.

In one of the lines of the, Poe writes The second chamber was purple in its ornaments and tapestries, and here the panes were purple, describing the subjects itself and enhancing them with the addition of an adjective clause. Poes addition of the adjective clause here the panes were purple creates an in-depth meaning of the object. Poe moves on to emphasize the final room by obscuring description, stating that The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls.

Poe clearly acknowledges these specific sentences compared to his others. He progresses, going as far to extend the sentences by adding several more adjectives to specify a hidden meaning. Furthermore, Poe shifts to draw more attention towards the seventh apartment, developing separate sentences to enhance the last sentence The seventh apartment was The adjective clauses are most likely Poes intention for readers to attract interest in the seventh apartment and for them to uncover its significance.

Throughout the passage, Poe describes each apartment with merely simple compound sentences. But, as the passage moves on, Poe shifts from That art the eastern extremity was hung, for example, in blue and vividly blue were its windows to The fourth was furnished and lighted with orange the fifth with white the sixth with violet. The first three simple compound sentences describing the six other apartments all incorporate youth (blue), intuition (purple), life (green), vitality of endurance (orange), purity (white), and spirituality (violet).

Poe developed simple a compound sentences for, blue, purple, and green, but a simple sentence, The fourth was furnished and lighted with orange the fifth with white the sixth with violet for the other incorporated colors. This symbolizes Prince Prosperos favor of youth, intuition, and life, but lacks vitality, purity, and spirituality. Subsequently, Poe differentiates Prince Prosperos concluding color, black, by shifting again from compound sentences to a complex sentence.

He writes, The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue to emphasize Prince Prosperos interest in death. Prince Prosperos actions such as attempting to his avoid his problems and death, is the most reasonable explanation to Poes reason of switching sentence structure. Switching sentence structure crafts a clear understanding in the meaning of the color and apartment.

Therefore, Poe uses both adjective clauses and simple compound sentences to illuminate Prince Prospero. The symbolic colors and Poes syntax reveals his corrupt personality.

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